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As a young boy, Leland was inspired by the paintings of his uncle, Howard Holiday. He started doing pencil drawings when he was seven years old. Thirsting to learn more about art, he started checking out library books. He loved seeing the work of Picasso, Jackson Pollack, and Georgia O'Keefe, but was especially blown away by the work of Jean Michele Basquiat.
In 1990 when he was sixteen years old, his mother brought home a set of acrylic paints. Leland would start painting in the morning and become so caught up that he would forget to eat. His days were filled with the joy of expressing his artwork. He would use anything he could find for materials; spray paint, house paint, found wood, old fence posts, practically anything that provided a surface for his exciting palette of colors. He surprises himself by changing the shading or colors. He never thinks about what someone may think of his work, whether or not they will like it.
Because of the carvings he was creating along with his brothers, he was almost immediately categorized as a folk artist, yet he felt he had much more to offer. About three years ago when he pushed to expand his expression, collectors were afraid to move with his changes and for some time he struggled internally and financially. Fortunately, that battleship finally turned and he is once again enjoying the freedom of painting his personal vision of color and expression.
His wife and family have been his greatest source of encouragement. He doesn't quite know why he creates the work that he does. He simply feels compelled to create. He feels there is a long road ahead, a good road with great opportunity for expressing his individuality.
Ponder well what you think of me.
I am he who killed monsters.
There are 6 sections of this chant, and 10 sections of the following:
Ponder well what you say of me.
Etc.........
They were told that the enemy had strongly fortified houses and that their spies were out at all times. So the bear chanted and told how he wished it would be when he went against the enemy. He was not to be seen. He was the mirage. He was the heat waves over the desert. He sang about 20 sections of the chant here. In the last two verses the Bear named only himself. He said that he would take the scalps, that he would carry the scalps. Then the Bear went forth and there settled a great cloud on the earth. The enemy could not see the Dine' and the others. The bear ran four times around the village, and he killed many enemies. Long ago when the Big Hail fell there were only three villages saved, and this village was one of them. And now the bear destroyed it. The sign or symbol of the knife is called A'cha whee tso. The people crossed. They had 75 chants 17 by the time they returned. When they neared their home the bear made a mark. This was the bear's mark, and they stepped over it. The bear was behind them. When the Dine' returned from fighting the enemy the bear seemed never to have finished fighting. Whenever he saw an object in the distance he went after it, determined to kill. Chief Ba'nee' said: "My pet, you can never be peaceful again I see. You came from the mountain call Black Mountain. You will join your people there." he spread out a buckskin, the hide of a deer not killed by any weapon. It is called do'gi gi. Then he spoke to the bear. "My pet, now sit on this." The bear sat on the buckskin. Ba'nee' tied five white beads in each of six different strings. He tied five beads on a string across the chest one way, and the same the other way. Then Ba'nn' took a turquoise, and giving it to the bear told him to put it in his mouth. The bear put the turquoise in his mouth and then laid it on the buckskin. This is called shash biza nas'tan. Then Ba'nee' gave the bear a white bead and told him to put it in his mouth. The bear put the bead in his mouth, and taking it out, placed it with the turquoise. Then he sprinkled corn pollen all over the bear, and Ba'nee' told him to shake the pollen off. The bear did this. The medicine from the bear, or other animals, is gotten in this way. Now men were to use this medicine against all sorts of diseases. It was to be for their protection. Here is the chant:
De yana he'a now it starts out He starts out on the straight pollen trail.
De yana he'a, He starts out for the top of the pollen foot prints.
De yana he'a, He starts out for the top of the pollen seed prints.
A Big Black Bear starts out. He is like the Most High Power Whose Ways
Now he starts out with the black pollen for his moccasins. Are Beautiful.
Now he starts out with the black pollen for his moccasins. With beauty before him,
Now he starts out with the black pollen for his leggings. With beauty behind him,
Now he starts out with the black pollen for his garment. With beauty above him,
Now he starts out with the black pollen for his headdress. With beauty below him,
He starts out for the Black Mountain plains. All around him is beautiful.
He starts out for the doorway of the two crossed spruce trees. His spirit is beautiful.
There are
three sections of this chant: "Now he goes...." "Now he is gone...."
Only one knowing all the chants can possess a bear fetish, among the Navajo
people. Now after the first chant was sung the bear's hair lay down and was
smooth. And after the chants were sung he went peacefully on his way.
17- Informant's note : These were the Bear Chants. The informant knew them.
These chants are used today in the Navajo country in cases of "coughs"
or similar illness. They are used against anything that bothers the people,
whether enemies or disease. And it is told that every time the Bear chanted
he gave the chant to the chief, and it became his. Pgs. 173,174,175
10. The Bear's Song (From the Shoe Game)
A foot,
A foot with toes,
A foot with toes came.
He came with a foot with toes.
Aging as he came with a foot with toes.
Another Bear's Song
He is one who has to do with the grass seeds.
He is one who has to do with the grass seeds.
Now put the ball in the moccasin.
Now put the ball in the moccasin.
Pg. 67
Now when the owl dropped the ball all the birds and animals chose whatever designs
and colors they wished to wear in the future the crow and the bear had been
asleep. When the crow heard what was happening, in a great hurry he dipped himself
in charcoal and went off to his home. They slapped the bear and said: "Wake
up. It is day." The bear jumped up and reached for his moccasins, and he
made off just as fast as he could go to the mountains. But he had put his left
moccasin on his right foot, and his right moccasin on his left foot, and that
is why he has strangely shaped feet. Also, as he reached the mountain the first
rays of the sun hit his fur, and that is why some of his descendants are brownish.
Pg. 70
Black Mountain: Actual mountain on the Navajo Reservation where bears are said to still inhabit the forests. This was their ancestral home, the place they were banished after giving The People coughing sickness. Pg. 190
Esdza'
shash nadle is the woman who subsequently changes into a bear. At'ed diyini,
the holy girl previously referred to, and described as the mother of the bearers
of the sun and the moon, is again introduced as jikhae naazili, the tingling
maiden, or the maiden who makes noise. Her brothers, twelve in number, are great
hunters. Eventually she marries the coyote, who in turn is slain by some of
the neighbors. The coyote had taught her how she might change her form into
that of a bear, and in this disguise she slays her brothers with the exception
of the youngest who, at the inspiration of esdzanadle, slays her. The members
of her body, which he scatters in the four directions, are changed into bears
of various kinds. Pg. 360
The bear is assigned to the mountains. The origin of the various species is
attributed to creation out of the several organs of mythical monsters, like
shash nalkhai, the tracking bear, and esdza shash nadlehe, the woman transformed
into a bear. Presumably this belief accounts for the reverence shown the bear,
insomuch as the bear is ordinarily avoided. The regulations governing the meal
of venison or bear are recorded elsewhere. Pg. 139
Black and brown bears wee numerous among the mountain cliffs, where they wintered in deep caves and wandered the slopes in summer to live on berries, fat tree grubs, acorns, and pinon nuts. The Navajos regarded them with almost as much respect as they gave their human neighbors, killing them only when necessary to save a life or to protect their flocks. Under no conditions would a Navajo eat a bite of bear meat. On young Navajo remarked, "I wouldn't eat bear meat. I might be chewing on the spirit of one of my ancestors." The bear is a totemic animal often mentioned in myth and legend; many chants and sand paintings are given in his honor.
Bear (cac)
(U) and Big-snake-man are a pair often found together, belief about them being
very mixed. In all versions of the visit of The Twins to Sun, Bear, Big Snake,
Thunder, and Wind were the guardians of Sun's house; they are stereotyped for
houses of other supernaturals as well. Bear and Big Snake, doubtless sent by
Sun, were guardians of Changing Woman's first sordid home on the earth. In sandpaintings
they seem to be animals, yet at Changing Woman's home act like persons, feeding
the children sacred food. The bear and snake were also pets given the people
by Changing Woman for protection on their travels (Reichard, Shooting Chant
ms.; Goddard, pp.168, 171, 175-8; Matthews 1897, pp.149, 151, 153, 155).
The Navaho have what amounts almost to a phobia about bears, so that, despite
the mythological references as elements of good, they are to be reckoned with
primarily as evils.
Bear is a major power of the Mountain Chant, which includes much bear lore because
bears live in the mountains. Many chants have a shock or trance rite. The bear
is a being that may bring on the shock and, in the Shooting Chant, the patient
is restored on a painting that includes bear tracks and Big Snake. An impersonator
of Bear may be the restoring force (Haile 1938b, pp. 157, 175; Reichard 1939,
p.66, PI. XXI; cp. Haile 1943a, p. 15).
When Secondborn was lost, Bear, who was familiar with all places in the mountains,
was chosen to search for him.
After doing much good by protecting people from their enemies, Bear started
to cause coughs, fever, and bad luck. The leader of the Navaho performed a ceremony
over him and Bear allied himself with evil. He, with his relatives, was assigned
to walk at Black Mountain, where there have since been many bears (Reichard,
Shooting Chant ms.; Goddard, p. 178).
The details given above seem to refer largely to bears and snakes as a class.
They may be personified, however, and Bear Man and Big-snake-man form a pair
that appears now and then.
When Monster Slayer was conducting his war party against Taos, two very old
men, trembling with weakness and choking with coughing, came into the party's
camp. The leader urged them to leave because they represented 'nothing useful,'
but they kept coming back. On the last night they said they did not intend to
participate in the fight but would like to watch it. After the raid was over,
the warriors looked for the scalps of the most desirable victims but could not
find them. Upon the second examination, they were found in the ragged bundles
of the two old men. Later Monster Slayer, the rest of the warriors, and the
old men had an archery contest with the captives, two Taos maidens, as stakes.
The old men took their places, trembling and uncertain, but at each try they
scored a bull's-eye. Monster Slayer merely looked at them, and did not give
them the girls. The two old men turned out to be Bear Man and Big-snake-man.
When the warriors and other people were occupied with ceremony, the two nieces
of Corn Man, on whose behalf the raid had been conducted, wound in and out among
the dancers, circling around them. When the girls had finished their dance,
they moved away from the crowd and went to the water. As they were going back
to the dance they were attracted by an arresting sound, a sweet smell, and a
light. On a little ridge not far from the dance place they found a campfire
in a brush shelter. There lay two handsome men, back to back. Bear was dressed
in velvet with pile as thick as plush, Big-snake-man in an embroidered fabric.
The girls slept with the strangers, who gave them ceremonial properties as payment.
Bear Man gave his girl a life feather; Big Snake's gift was the pulp of the
iris.
When the girls woke in the morning, the men were still asleep. The first snored
with his mouth wide open. His projecting teeth were old and overlapping, and
phlegm was strung like spider webs in his mouth. The man on the other side was
also disgusting. His nose was drawn back and mucus bubbled from the corners
of his mouth. Both men had reached extreme old age. As the girls ran off, Bear
growled and Big Snake rattled.
At sunrise the people stopped dancing and bethought themselves of the girls,
whom at
first they could not find. Then the leader (presumably Monster Slayer) told
the men to cut willow twigs and whip the girls to death. The two old men watched
from the top of the hill. When the scourge hit the first girl, it gave out a
futile sound as if mush were being slapped (tcog) and, when the second girl
was hit, there was a sound like mud slopping (tlic). The victims were standing
on the life feather and iris pulp the old men had given them, and the blows
were lost in clouds and water. The girls disappeared into the sky, whither they
were tracked by Bear and Big Snake. The Mountain Chant originated in the trail
taken by Bear, the Beauty Chant in the trail taken by Big-snake-man (Haile 1938b,
pp.157, 175).
