Navajo Third Phase Chief Rug - Rose Mary Sagg (#01)
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Tracing
the history of Navajo chief blankets is about tracing the history of
Navajo weaving. There are several different ways to address the
origins of Navajo weaving both from a Navajo cultural perspective as
well as historic documentation of their weaving tradition. This
discussion of Navajo chief blankets will focus on the historic origins.
While
archaeologists and anthropologists argue over the earliest arrival date
of Athabaskan speaking people in the Southwest, it is without a doubt
that weaving was adopted from their Pueblo neighbors and documented
from at least the mid-1600’s. Weaving on a vertical loom using native
cotton dates back to at least 700 A.D. (anthropologist Kate Peck Kent
believes as far back as the time of Christ), a technique which migrated
through Mexico to the Rio Grande Pueblos and Hopi Mesas.
Churro
sheep were introduced by Spanish expeditions led by Coronado in 1540
and again in 1598 by Don Juan de Onate and continued to be the primary
source of wool until the Long Walk period in the early 1860’s.
Blankets
produced prior to 1865 are categorized as the Classic Period of Navajo
weaving. Weavings were wider than long and woven for use by Navajo and
other native peoples for wrapping around the shoulders. They are
subdivided into three or four categories starting with the First Phase
Chief Blanket.
Before delineating the specifics of each style,
the term Chief Blanket needs to be addressed. The Navajo people do not
have “chiefs”, per se. Although any Navajo could weave and wear this
style of weaving, they were often recorded being worn not only by
important Navajo leaders, but other tribes’ leaders as well. The
Navajo people became highly adept in their weaving skills and their
blankets were sought after by Pueblo, Ute, Cheyenne, Arapahoe, Sioux
and other surrounding tribes.
Once freight wagons, western
settlers and later trains started moving across the Southwest, Anglo
collectors became enamored of Navajo blankets. The Classic Period for
Navajo weaving lasted until about 1865, the time when the majority of
Navajo people were rounded up and force marched to Fort Sumner in New
Mexico.
While different styles of wearing mantas were woven
during this period, the Navajo chief blanket style became the most
famous. The First Phase Chief Blanket predominated up until about
1850. The pattern consists of wide black or brown and white stripes.
Indigo blue dye and red cloth were introduced by the Spanish resulting
in thinner stripes of blue and occasionally narrow lines of raveled red
appearing in this early style of blanket. Approximately 50 First Phase
Chief Blankets are known to exist from this time period.
Second
Phase Chief Blankets followed the same stripe pattern as the First
Phase with the addition of small red bars or rectangles in the indigo
blue stripes. Indigo dyed stripes typically appeared as the center and
end stripes of the blanket with the remaining stripes being black or
brown and white. This resulted in twelve red bars of color decorating
the center and corners of this blanket style. The Second Phase chief
blanket was evolving from the early 1800’s especially as red cloth and
yarns became more available to Navajo weavers and this style continued
into the 1870’s.
The Long Walk was a true watershed on many
levels. Although historically horrendous for the Navajo people, it had
a positive effect on Navajo weaving because of greater exposure to Rio
Grande Hispanic weavings. A classic Rio Grande blanket design features
a diamond in the center. From about 1860 to 1880, the six red bars
located in the central stripes merged into three central designs,
typically a terraced edged diamond in the center and two half diamonds
at each end of the center stripe. Crosses were also a popular pattern
in the nine-spot layout which became known as Third Phase Chief
Blankets.
Finally, the full impact of Hispanic weaving design
made itself felt in Navajo blanket styles. Serrated quarter, half and
full diamonds or connected crosses became the dominating feature of the
blanket along with the more liberal use of red yarns and dyes, both
aspects resulting in the sublimation of the original dark and light
horizontal stripes. The Fourth Phase Chief Blanket first emerged
around 1870, a reflection, too, of the shift Navajo weaving was making
from wearing blankets to rugs, a timeframe in Navajo weaving known as
the Transition Period.
Today, Navajo chief blankets woven during
that period are valued up to $500,000. The style remains popular among
Navajo weavers and can be woven in the classic forms listed above or
include other pictorial, geometric and color elements. Because of the
transition from blankets to rugs, it is not uncommon to see the chief
blanket design woven in a format which is longer than it is wide.
Wherever Navajo rug designs may evolve, their roots remain in the
beauty and simplicity of the original wearing blanket designs.
About the artist:
See all items by Mary Rose SaggRelated categories:
Navajo Chief Rugs See all items in this categoryNavajo Rugs - Special Collections See all items in this category
Related legends:
Weaving
After the
medicine woman told the people about the prayersticks she told them that there
was a place in the underworld where two rivers crossed. It was called ni tqin'kae
tsosi, fine fiber cotton (Indian hemp). There were two persons who brought the
seed of that plant, they were spiders. They said that the people were to use the
plant instead of skins for their clothing. So this seed was planted in the earth? More about this legend
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